Tampilkan postingan dengan label Words. Tampilkan semua postingan
Tampilkan postingan dengan label Words. Tampilkan semua postingan

Minggu, 19 April 2015

The Tattooed Poets Project: Tessara Dudley

Our next tattooed poet is Tessara Dudley. She sent us these photos:



Tessara tell us:
"I got 'Radical Self Begins With Radical Self-Love' after my partner got it, and I wanted the reminder on my skin as well. Under that is the anti-possession symbol from Supernatural, which my partner and I got together because we're both fans of the show. 
On my forearm is 'The Struggle Continues', and a Black power fist, which I got as a very visible badge of my politics, and as a reminder to myself that there's still so much work to do in the world, not just on racial justice, but on LGBTQ+ equity, disability justice, socioeconomic stratification, and more."
Tessara credited her work to "the talented Levi Greenacres at Skeleton Key Tattoo in Portland, OR."

She also sent us this poem:

Blood Lines

213 years back I can trace my mother
not so far my father
NorthSouthCarolina
Georgia
Maryland
the horror of plantation space
laid over mass graves unacknowledged
to obscure atrocities
but I see in 600/400 vision
haunted by subjugation
slaughter

when I hear spirituals
I shiver
knowing that my ancestors sang these words from
bodies too tightly bound for anything but voice
to escape                     craved-for impossibility
but to remain               vindictive probability

I cry for
bodies holding together through too much want
the water taste of porridge
gagging on the ashes in their mouths
my ancestors turned from fires
of their own kindlingflesh
pointed north in whispers of freedomfutures
dreaming days of light and joy

I come
from survivors
pulling back on the reins of storychants
and shouting
no
I am here and
I shall not be moved and
we shall overcome and
we are family
my family is struggle made flesh
where ancestors inhabit our bodies and share space
with our souls
whispering
do not forget
I labour to remember what I never knew
Herculean task made possible by bloodsong

the past informs my path to moonsteps

and the future is everyday written on my bones

~ ~ ~

A writer, educator, and activist living in Portland, OR, Tessara Dudley writes poetry and personal essay from the intersection of working class Black queer disabled life, and hopes her art will help to build a better world. She can be found at http://tessaradudley.com and the small press she founded is at http://mourningglorypub.com.

Thanks to Tessara for her contribution to the Tattooed Poets Project on Tattoosday!

This entry is ©2015 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sabtu, 18 April 2015

The Tattooed Poets Project: David Greenspan

Our next tattooed poet reached out to me on social media and shared this tattoo:


This is the back of David Greenspan, who started Butcher Shop Press in 1999 after running Oneonta State College's literary and art journal for several years.

David told me, "The first time I ever used the butcher image was in a poem I wrote in high school called 'an American Dream.' " He added, "the line read no more sour looks for the butcher, no more time to stop and chew the fat."

He also sent us the following poem, "The Butcher Shop," which he composed "a few years later while sitting in an American poetry class:"

The Butcher Shop

I walk the street in search of meat
because this vegetarian poem has left me hungry
outside this hippie café as the parade passes by
with nothing to say
stop on some corner and step inside
“Can I have two pounds of thick cut poetry?”
I ask and the man with more hair on his arms
and chin than on his head says
“Sorry, we’re all out.”

Out of lines, out of dreams
so I walk outside and try to screw
the light back in above my head
only to hear the poem shaking around inside
and I don’t have the two dollars to buy a new one.

So I start on the go and notice in the window
that my reflection has put on some weight since the butcher shop
So I suck in my cheeks and stand for weeks
on impotent closed lines, half erased words and boring verbs
only to find my sweater’s wearing thin.
So I tie one loose strand to the meter
and leave it outside with the dogs as all the Strands should’ve been long ago
I buy papers for the butcher
I keep Maya’s poetry under my caged birds
and I start to walk and “Whoo. . .do I feel a draft coming in?”
or out as I lift my pen and cut the butcher in half.
And he asks why would I ever do a thing like that?
and he eats crab apples and puppy dogs and licorice
and he darns his socks with dental floss
and he does the hokey pokey and he turns himself around
and starts to cry “That’s what it’s all about?”

Where’s my course?
My coarse course, my vision for a course

I’m tired!

I’m tired of these salty saloons and dark doors
tired of these idiosyncratic idiots all laughing at their own jokes.
I’m tired of constipated poetry, It must stop!
I’m full. Exhausted. Breathing heavier than last night’s romp. . .
so I walk back down to the butcher
and throw a painting on the counter and say:“Give me three pounds of Van Gogh’s ear pounded thin!”

Thanks to David for sharing his poem and tattoo with us here on Tattoosday!

This entry is ©2015 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Jumat, 03 April 2015

The Tattooed Poets Project: Kristin Ann Fahlbusch

Our next poet is Kristin Ann Fahlbusch, who sent us this glimpse of a tattoo on her ribs:


The tattoo reads: "The risk of sentimentality is a risk worth taking."

Kristin Ann explains:
"I lost my older brother, Brendan, in a freak bicycle accident when I was just a little girl. Many years later, I came to NYC to The New School to try to further process Brendan's death through my poetry. But once I actually got there, I felt very 'blocked' creatively and struggled to create the collection of poems that I had dreamed of writing most of my young life.
The first serious poem I ever wrote about my brother, 'Something I Never Told You', I edited with the help of my professor, the incomparable poet, Paul Violi. Paul's only comment on my poem was, 'The risk of sentimentality is a risk worth taking.' After meeting with him after our poetry workshop one night, Paul told me that this poem would surely be my gateway to my first collection of poems--and he was right! My first collection of poems is still on its way to fruition but I never would have had the courage to explore my feelings surrounding Brendan's death and create this collection without Paul's constant support and encouragement.
When Paul passed away four years ago from cancer, I tattooed his wise words ('The risk of sentimentality is a risk worth taking') on my rib cage and promised myself never to give up on my goal of becoming a published poet because Paul never gave up on me."

Kristin's tattoo was done by Andrew "The Kid" Farnsley at Mark Mahoney's Shamrock Social Club in Hollywood, California.

Here is the poem Kristin Ann mentions above:

Something I Never Told You


This small scar
on the palm of my right hand,
near the heel.

Like a memento
of our childhood.

I played with my Barbie dolls
in your Castle Greyskull.

I’ve grown up without you,
in the shadow of their expectations
for their first-born child,
I dressed your Alf in doll clothes.

I’ve tried to live my life
for the two of us,
making more mistakes
than the typical underdog;
Learned my lessons
from the sidelines
and old photographs.

Then there are moments
when childhood smells play their tricks on me—
and I catch your scent.
Like cold oatmeal at breakfast,
or the Sound in September,
or baby shampoo.

~ ~ ~

Kristin Ann Fahlbusch was born January 20, 1983 and grew up in Bayville, New York. She received a BA in English from The George Washington University in 2005, an MS in Adolescence Education with a Specialization in English from Long Island University in 2008 and is currently at work finalizing her thesis for the MFA in Poetry program at The New School. Kristin Ann's writing has been published by: Pirene's Fountain, TimeOutNewYork.com, The NY Post, West View News, THE SOURCE  magazine and Jones Magazine. Her photo work has appeared on: ModernBride.com and The Foundation for Photo/Art in Hospitals, as well as on Scallywagandvagabond.com. She lives and works in New York City.

Thanks to Kristin Ann for sharing her tattoo with us here on the Tattooed Poets Project!

This entry is ©2015 Tattoosday. The poem and tattoo are reprinted with the poet's permission.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Selasa, 31 Maret 2015

The Tattooed Poets Project: Lisa Marie Basile Launches Our Seventh Annual Installment

We are launching our seventh annual Tattooed Poets Project with Lisa Marie Basile. Lisa and I have been talking about her participating since the fall of 2012, so I was delighted when we were finally able to get a post together for Tattoosday this year.

Lisa Marie has six tattoos, and shared four with us, starting with this one:


The tattoo on her forearm reads "recuerdo la eternidad," which roughly translates to "remember eternity," comes from a line out of a Marosa Di Giorgio poem. "She's my favorite poet," Lisa Marie explains, "and I find the way she talks of nostalgia and good/evil so beautiful." She adds,"This line immediately hit me, and I wanted to always have it with me, in its original language."

Her other arm has a couple tattoos:


Lisa Marie's ampersand (&) sits on her wrist and she explains, "I not only love the shape of this little one, but I think the idea of the ampersand connecting this and that is beautiful."

As for the phrase, "le soleil et la mer," translated as "the sun and the sea," Lisa Marie elaborates:
"[It] comes from The Stranger by Camus. This is one of my favorite books, and I felt very connected to the rage and fear and sorrow the protagonist felt when he was on the beach, under the sun and near the sea. This was my second tattoo and I feel closest to it."
Then there's this word on the back of her upper arm:


Lisa Marie explains:
"witch is a playful one that I got with a friend at midnight in Miami on Friday the 13th. It was all very kismet, actually. We both have the same tattoo (poet Joanna C. Valente) and it, for me, represents the idea of women living through being hunted, scarlet-lettered and hated. It was an impulse tattoo."
She believes that the "&" and "le soleil et la mer" pieces were inked at Whatever Tattoo in Manhattan. The "recuerdo la eternidad" tattoo was done at Eight of Swords in Brooklyn.
The "witch" tattoo was from Salvation Tattoo Lounge in Miami.

By way of a poem, Lisa Marie sent us this work, which first appeared in Stone Highway Review:

Lisa Marie Basile is the author of APOCRYPHAL (Noctuary Press, 2014) and a chapbook, Andalucia. She is the editor-in-chief of Luna Luna Magazine and her poetry and other work can be read in PANK, Tin House's blog, Coldfront, The Nervous Breakdown, The Huffington Post, Best American Poetry, PEN American Center, Dusie, and the Ampersand Review, among others. She’s recently been profiled in The New York Daily News, Amy Poehler’s Smart Girls, Poets & Artists Magazine, Relapse Magazine and others. She’s been nominated for the Best Small Fiction 2015 and Best American Experimental Writing 2015 anthologies, and she holds an MFA from The New School.

Lisa Marie's first full-length just came out: Apocryphal can be purchased on Amazon or at Small Press Distribution.



Thanks to Lisa Marie Basile for helping launch the seventh annual Tattooed Poets Project on Tattoosday!


This entry is ©2015 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Senin, 02 Juni 2014

Christin's Exorcism

I was standing in front of Federal Hall, at the corner of Wall Street and Broad, when I noticed two women sitting nearby. One of them had an epic tattoo on her left thigh, so I introduced myself.

The woman’s name was Christin and she was visiting from Germany. Her friend, whose name I never
caught, was very helpful as an interpreter.

Check out the tattoo:


Christin explained that this is a passage, in Latin, from the Bible. More specifically, it refers to a section concerning exorcism, how, in her words, "the blood will drive out the evil and how everything will end up good.”

You can make out the word "Exorcism" behind the written text. The scratches and blood smears are part of the tattoo design.

The artist responsible is Emrah from Lausbub Tattoo in Heilbronn, Germany. When I reached out to him about the piece, he knew exactly which one I was talking about. "I love this tatt," he said, "but I never ever would do it again ... because of the tiny lettering."

When I asked Christin why she got this huge, intricate tattoo she said (through her friend, interpreting):
"There are two stories: One, the show Supernatural kind of got her on this idea. So that’s what brought her on the general idea of looking into what it is, reading up on it. And she kind of was fucking up her life a little bit much and so this was her way of putting her life back on the proper road so when she looks at it she knows I can’t go down that route again." 
Thanks to Christin for sharing her awesome tattoo with us here on Tattoosday!

This entry is ©2014 Tattoosday.


If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Senin, 21 April 2014

The Tattooed Poets Project: Leigh Ann Hornfeldt

Our next tattooed poet is Leigh Ann Hornfeldt, who sent us two tattoos. First, this Northern mockingbird:


Leigh Ann explains:
"I chose this tattoo as I was writing my first collection of poems, East Main Aviary. During this time I became very interested in birding. I can remember the first mockingbird I ever saw: He was walking the rail of our wooden deck during a light rain. From that point on it seemed like mockingbirds were everywhere for me, with one even following me around the inside of a home improvement store. I believe in animal guides and mockingbirds remind me of the power of my voice, to protect my nest, and to always be brave. This tattoo was done by a dear friend, Kevin Hamilton of Bleed Blue Tattoo [in Lexington, Kentucky]."
Her second tattoo was part of the Lexington Tattoo Project, which was referenced in yesterday's post from Bianca Spriggs.


Leigh Ann elaborates:
"This tattoo was part of The Lexington Tattoo Project by Kremena Todorova & Kurt Gohde. A local poet (Bianca Spriggs) wrote a poem for Lexington and over 253 residents of the city had a word or phrase from the tattoo inked on their body. I was lucky to choose the phrase 'they'd have enough' which came at a time when my husband and I were simplifying our lives through purging possessions and focusing on more time with each other and our children. For me this phrase says it all: if we have one another, we have enough. This tattoo was done by Charmed Life Tattoo." 
Leigh Ann sent us this poem, as well, which was first published in Spry Literary Journal:

Strays

i.

Let’s call him something
she said
bent over the veranda, breeze
lifting the silk baby-doll
nightgown above her ass.
He sees all he wants now and then.
The steel in her jawline, the fractured
lily nestled under her panties.
We’ll just call him something, anything really —
you can’t name a thing you’re gonna leave
she said and he agreed and the palm trees
nodded their heads and that night they made love
on rough cotton sheets while the cat tightroped
the deck’s banister and the ocean worried
at the door’s wooden slats. Morning she let him
in again. Took the little loaf of his body
to her chest and breathed in that smell,
that island smell she could never name
even though she knew all the right words.

ii.

This one’s paws craved necks,
    warmth of jugular, vulnerable pulse.
This one came and went as she pleased,
    afternoons bawled till she bloomed herself
inside out. How could anyone say no to this one?
    A tortie, a mink coiled around anonymous shoulders,
a needy biscuit-kneader, claws searching for a warm tit.

iii.

Oh, she loved him.
She loved him, his face
gouged like the bottom
of a cast iron skillet. She loved
him. Pigeon-toed slink, low bee-hive
growl. She loved him. Litters
of crying kittens all over
the neighborhood. Vagabond.
No good drifter. She
loved him. Half-an ear missing
kind of love. Born out of pity.
I won’t leave you
no matter what you do
desperate kind that keeps
a woman in dark glasses
even at night, the kind
that makes a woman go
weak, weaker, weaker, gone.

iv.

Swore she wouldn’t keep him.
Each night tip-toed cold
stone to driveway’s edge,
packaged pink salmon in hand
Here, kitty, kitty
His soupy mew
from the storm drain,
her hands wringing themselves
dry, the sky’s pursed lips
and the dogs whining, always
whining through the window cracks,
eyes rolling in their thick, meaty skulls.

~ ~ ~

Leigh Anne Hornfeldt, a Kentucky native, is the author of East Main Aviary (Flutter Press, 2012) & The Intimacy Archive (ELJ Publications, 2013) and the editor at Two of Cups Press. She is a Pushcart Prize and Best of the Net nominee, as well as the recipient of a grant from the Kentucky Foundation for Women. In 2013 her poem “Laika” placed 2nd in the Argos Prize competition (Dorianne Laux, judge) and in 2012 she received the Kudzu Prize in Poetry. Her work has appeared in journals such as Spry, Lunch Ticket, Foundling Review, and The Journal of Kentucky Studies.

Thanks to Leigh Ann for contributing her poem and tattoos to the Tattooed Poets Project on Tattoosday!

This entry is ©2014 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Minggu, 20 April 2014

The Tattooed Poets Project: Bianca Spriggs

Our next tattooed poet is Bianca Spriggs!

Bianca offers up two tattoos, starting with this one:


Bianca explains:
"The first is a tattoo of the USS Starship Enterprise NCC 1701-D. I got this for a wedding anniversary gift from my husband in 2011. I'm a serious Star Trek fan and was reared on Star Trek: The Next Generation (I literally had collector's cards of the characters stashed in my childhood photo album alongside my relatives), so I figured what better way to make it official? I get all of my tattoos in brown ink because I always thought it'd be neat if they looked like I was born with them—like very intentional birthmarks. The artist, Joe King of Studio Ink at the time, was amazing. I barely felt the needle and this one, given the brown, has held up the best of them all. He has since moved to Easthampton, MA [working at Off the Map Tattoo]. Here's a link to his work: http://www.artofjoeking.com/."
She also shared this piece:


Bianca explains:

"The second is the tattoo I got as part of the Lexington Tattoo Project. In 2012, I was asked by two professors from Transylvania University, Kremena Todorova and Kurt Gohde, who are really into community engagement, to compose a love-letter to Lexington, Kentucky. The idea was that the poem was going to be broken into words and phrases and correlating circles and dots that comprised a secret image and spread out among participants in the city. We ended up with over 250 volunteers who all received free tattoos from the poem thanks to local sponsors and arts enthusiasts. After everyone received their tattoos the image was revealed at a big celebration this past Fall. Since the day I turned the poem in, a contrapuntal called "The _________ of the Universe: A Love Story," the project has really taken off and now has a photo book featuring all of the tattoos and stories of the participants as to why they chose certain words or phrases, as well as video featuring each of the tattoos paired with me reading the poem over an original composition by cellist Ben Sollee. Boulder, CO loved the idea so much, they are now doing a Boulder Tattoo Project and have chosen their own local poet. Long story short, I chose the words 'gravitational pull' because every time I try to leave Lexington, I am compelled to return. The artist was the amazing and eternally patient Robert Alleyne of Charmed Life Tattoo, who also happens to be responsible for two of my other pieces. Here is a link to the LTP website: http://lexingtontattooproject.wordpress.com/
Bianca sent us the following poem which, she explains, is "in the voice of Guinan, the El-Aurian bartender in Ten Forward from Star Trek: TNG, who was played by Whoopi Goldberg:"

Guinan: On Listening

What I do is not listening.
It’s more like picking out one voice
in the surround-sound of morning
through an open window.
Like hearing one bird call at a time
and recognizing its owner,
or being able to tell one type
of engine over another by how
it accelerates through an intersection,
or which door is being opened and shut
somewhere in the house.
Blended together, it all sounds good—
the opening notes of a great number
to which we all know the words.
The difference between you and I
is that I may choose to focus
on the tambourine or the bass line
for an entire song.
The art of listening is an heirloom
I did not always understand.
El-Aurians take games such as
“Who Can Be Quiet the Longest?”
as seriously as a final exam.
You can imagine how exhilarating
our road trips must have been.
I remember my brother and I bet once
that I wouldn’t be able to keep from
speaking for ten years.
For the first three, I scribbled notes
to everyone in a furious attempt to keep up
with conversations sidewinding around me.
I worried if I wasn’t being listened to,
I didn’t matter.
I would be the only one
in the room no one noticed.
By the time I found my way into a voice again,
I figured out that if I sat still long enough,
someone would inevitably interject
what I had already thought to say.
It was as though the universe
was dialing everyone in a room
and leaving the same message.
It was as though we were all restating
the obvious, over and over again,
fumbling for meaning we already possessed.
They say I’m a good listener.
But this isn’t listening.
This is just me, behind the bar,
mixing your voice in with a drink.

~ ~ ~

Bianca also directs us readers to the poem, "a contrapuntal, that people are now walking around with bits of tattooed into them" here.

Affrilachian Poet and Cave Canem Fellow, Bianca Spriggs, is a writer and multi-disciplinary artist based in Lexington, KY. She is a recipient of an Al Smith Individual Artist Fellowship in Poetry and multiple artist grants from the Kentucky Foundation for Women as well as a Pushcart Prize nominee. Bianca is the author of Kaffir Lily (2010) and How Swallowtails Become Dragons (2011), and the creator of The SwallowTale Project: Creative Writing for Incarcerated Women. She is the creator and Artistic Director of the Wild Women of Poetry Slam held annually at the Kentucky Women Writers Conference and serves as the current Managing Editor for pluck! The Journal of Affrilachian Arts & Culture. You can learn more about her numerous shenanigans here: www.biancaspriggs.com.

Thanks to Bianca for sharing her cool tattoos and poetry with us here on The Tattooed Poets Project!

This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Rabu, 16 April 2014

The Tattooed Poets Project: Geoff Kagan Trenchard

Our next tattooed poet is Geoff Kagan Trenchard, who sent us this photo:


Geoff explains:
"I don’t remember the name of the artist, but the studio was Flyrite in Brooklyn, New York. It was done in February of 2009. My wife Emily and I went to get tattooed as a spur of the moment Valentine’s Day date. At the time, we had known each other for nine years. We had said I love you to one another in at least a dozen different cities. We had just spent two years living in cities on opposite sides of the country, only seeing each other every four months or so. That Valentine’s Day, we had made dinner plans, but not reservations. We both came home from work and neither of us was hungry. We decided on this location because it’s the spot where we like to rest our head’s on each other’s chests. While it wasn't a direct inspiration, the song 'Home' by Edward Sharpe and the Magnetic Zeros way playing in a lot of backgrounds that year. Can’t tell you how many coffee shops and bars and restaurants and random stores where we heard that song. The choirs goes Home, let me come home. Home is wherever I'm with you. One of the strangest places the song followed us was in the CD player of a car we rented to drive Upstate for a long weekend. Home. I’m coming home. Home is wherever I’m with you out of the speakers of this random Honda Civic from the rental car company attached to the Marriott Downtown. Like someone had put it there just for us. My eyes were welling up before we even got on to the freeway. Home. I’m coming home. Home is wherever I’m with you. Since that February, we've said I love you in a few additional cities, but many more times in cities we've been in before. We now have two children, both of whom rest their heads on the same spots.
Geoff sent us the following poem:

Untitled

At night, the blue sky moves
to where it is needed most.
Every morning I am thankful
that it comes back around.

The first thing that ever really scared me
was the wax ball of minutes
that grew in my mouth
when I waited to be picked up.
Every second made me more sure
that no one was coming to get me.

In my head there is a plastic boulder
hovering above a flowerbox.
The only thing that holds it back
is the smallest wooden door stop.

This morning, the shower
had just enough hot water
to get me in, but not enough
to keep me there for long.

When I came back into the bedroom
You were curled around the good pillow.
Smiled like it was still the weekend.

I want you to know that I quit smoking
because you threatened to leave me
but I stayed quit
because I wanted to grow
bigger than a sculpted shadow.
I want you to know that I think about
babies in a very non abstract way these days,
that I feel safe leaving before you in the morning.
I’m almost 100% sure the blue sky will be waiting for me.

~ ~ ~

Geoff Kagan Trenchard’s poems have been published in numerous journals including Word Riot, The Nervous Breakdown, The Worcester Review, SOFTBLOW and Pemmican. He has received endowments from the National Performance Network, Dance Theater Workshop, The Zellerbach Family Foundation and the City of Oakland to produce original theatrical work. As a mentor for Urban Word NYC, he taught weekly poetry workshops in the foster care center at Bellevue as well as in Rikers Island with Columbia University’s “Youth Voices on Lockdown” program. He is a recipient of a fellowship from the Riggio Writing and Democracy program at the New School and the first ever louderARTS Writing Fellowship. He has performed poetry on HBO’s Def Poetry Jam, at universities throughout the United States, and in theaters internationally as a member of the performance poetry troupe The Suicide Kings. Penmanship Books published his first poetry collection, Murder Stay Murder. He is currently a Juris Doctor Candidate for the class of 2014 at the Hofstra University School of Law. He lives in Brooklyn and can be found at kagantrenchard.com.

Thanks to Geoff for sharing his tattoo and poem with us here on the Tattooed Poets Project on Tattoosday!

This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Minggu, 13 April 2014

The Tattooed Poets Project: Terri Witek's Pessoa

Our next tattooed poet is Terri Witek, who shared this photo:



Terri tells us this
"was inked by Ron Nelson of Mission Street Tattoo, in Santa Cruz CA. Most of my family have sleeves and other major body-work by Ron, who is married to one of my daughters. Some of his most beautiful imagery on the family skin is ongoing and unfinished--a slowly filling- in ship in full sail, an outline of a name. So it seems almost reasonable that I took so long --two decades-- to decide what I wanted. It’s no accident that I was reading Fernando Pessoa’s great Book of Disquiet when a shadow thought finally appeared. Pessoa’s name just means 'a person'—my tattoo could be both tribute to the poet who chose to remake himself in so many heteronyms and a kind of classifying stamp (like 'animal, vegetable, mineral' ) for the end of the world. As I now lead The Fernando Pessoa Game in Lisbon for Disquiet, International ( a workshop with Cyriaco Lopes, the visual artist who first showed me Pessoa’s work in Portuguese) , my tattoo is also part of a more-than-skin-deep, ongoing translation game. For this, and maybe because it took so long to arrive, I love unfolding my arm to it."
Terri also sent us this poem, which closes out her book, Exit Island:

Caravelle
                                with two lines by Fernando Pessoa




Cresce a vinda da lua                                  (but what is gained by the moon’s return?)
                                   
Teu corpo, teu limite.


When will o rio dovetail nas ruas                and which ainda arrives too soon?
                               
Cresce a vinda da lua.


While the drunken dogwatch pities                   another far-off monsoon,
                               
Teu corpo, teu limite.


Something pulls against day’s patois.          Something restrings the body’s loom.
                               
Cresce a vinda da lua.



Who would leave your side for comfort?    Who would row against the moon?
                               
Teu corpo, teu limite.




Tudo cresce, tudo pity                                  tudo rua, tudo moon

all is body, all is rowing,                 all notation is natacao


~ ~ ~

Terri Witek is the author of Exit Island, The Shipwreck Dress, Carnal World , Fools and Crows, Courting Couples (Winner of the 2000 Center for Book Arts Contest) and Robert Lowell and LIFE STUDIES: Revising the Self . Her collaborations with Brazilian visual artist Cyriaco Lopes have been featured in galleries or site-specific projects in New York City, Los Angeles and elsewhere. A professor of English at Stetson University, her summer faculty positions have included the West Chester Poetry Conference, the Prague Summer Literary Program and the DisQuiet program in Lisbon, where she runs “The Fernando Pessoa Game.”

Thanks to Terri Witek for her contribution to this year's Tattooed Poets Project on Tattoosday!

This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sabtu, 12 April 2014

The Tattooed Poets Project: Joshua Kleinberg's Tattoo is Worth It

Our next tattooed poet is Joshua Kleinberg, who sent in this photo:


Joshua explains:
"The tattoo was done by Brad Stevens at New York Adorned. It's mostly a reminder, for when I'm in a depressive funk, that things are, like, worth doing. Things like getting out of bed and showering and making art and walking across bridges. The font was basically stolen from the movie poster for an '80s dirt biking movie called 'Rad,' and the coloring was inspired by those awesome/awful Spring Break shirts."
Joshua also submitted this poem, which appeared previously in ILK :

THE WHITENESS

Every time you write a poem that isn’t a villanelle,
you are rejecting the pertinence of the villanelle form.

By disliking dubstep, one implicitly votes
for a world in which dubstep doesn’t exist.

Fabulous dreams are an argument against
whatever you do with your days.

It’s a well-known fact that most stars are satellites
and most satellites wish they were rock, still.

When you are sad your eyelids gain mass.

If you cry hard enough, you do not need to shower.

.9% of smokers die every year, which means
you’re pretty much definitely not getting past
a hundred and eleven (if you smoke).

Beats headphones by Dre sound like farts in a Folgers can.

The world was not made for this many people.
It was made for this guy I know, Devin.

A well cared-for cast iron skillet
will outlive you and do more for your family.

By keeping on, you imply consent
for all disasters everywhere, be they of mining
or hurricane breed. Be they tossed bottles,
or midsection weight gain, or overtime losses,
or malls.

Three in eight car accidents
are demonstrative tropes for
hardcore albums you no longer like.

When you write a poem and say it’s not a poem,
you declare a tiny war between logics.

When declaring a war between logics,
a certain decorum is customary.

Place your hand in your unbuckled mouth
and spread the palm wide, like a fire.

This may be repeated up to four times,
and if done correctly will result
in a glut of anarcho-communal despair
and a feeling like fuck I don’t know.

When all else fails, dig a hole.

When all holes fail, build a hill,
and climb it, and stand there.
And lay there, on your back.
It doesn’t really smell like anything, does it?
It doesn’t even feel like it’s winter.

A person I don’t like gets 21 cents
every time I buy anything these days.
Because I never fucking carry any cash,
and I just have to have my cheese-
double-cheeses. Can you hear it?
My belly is rumbling.

There are children who survive by eating human waste!
There are probably boats that are sinking.
The sky is not even anything, and birds
often carry disease, and this is not a poem.
This is not a poem.

But when I re-read a book that once made me cry,
I admit what I feel is not hate.

And when I set the book down
before it gets to the good part,

and sign in to something and look,
I’m learning my position in space-time,
accepting my deficient attention.
And the truth is there’s no one there scowling,
but whenever I dream of my childhood,
I’m always stuffing my pockets with Skittles.
Now we get texts that say, “Please, don’t ignore me.”
We pull them from our pants like mysterious flowers,
and study them for a long, long time.

In Mac OS X, open the terminal application
and type: sudo nano /private/etc/hosts
hit return and enter your password
hit return and arrow to the bottom
and type: 127.0.0.1 facebook.com
hit return and type: 127.0.0.1
hit space and type: twitter.com
hit return and type: Think Different.
hit return and type out: Things Change.

In the night, electricity sleeps in the sockets.
You fall asleep and dream about it—14 rays
of misty white, stacked in ghostly twos,
tethering you to the center of the room.
Your lungs inflate and droop like a battery indicator,
on a screen.

It’s just—it’s only that: things are never transforming,
only filling and collapsing—
lightning pouring from ground to cloud,
electronic shifts in the gray of the brain,
inverting levels of life
between the dream as it ends and awakening.

It’s the dissipating feeling that fools us,
the limbo of whiteness between, where
we think that we’re nowhere,
and know that there must be somewhere to be.
Something to reach by becoming—
not by popping strategic balloons on oneself,
but whipping the whole joint up into a frenzy.

And sometimes in the autumn, the white sky stands
like a wall, and the treetrunks are orange and thin,
and the sweatered students, brochure-like in the grass,
say hello to each other, needing just the one word.

You can trace, on such days, the call of the kinglet
as it traipses from windchime to world.
But most of the time I’m just partly awake
with four months of coffee staining my teeth,
and in their housings, the papers make nervous decisions,
and the tv’s static is a different sort of silence,
and the birds all go back to before they had names.

I say, Please O Self, you’re all that I know,
please kiss my tough lips and be gone!

The inventory of hand gestures is endless!

Your crossbite is making me anxious!

I’m tired of having to place you in rooms
and account for the width of your stance,
and stare at your wavering gaze
through the knowledge of all of the others.

~ ~ ~

Joshua Kleinberg is a barback, an MFA candidate in Poetry & Translation at Columbia University and the curator (with Dana Jaye Cadman) of Banquet Reading Series in Brooklyn. His work has received awards from Ohio State University and The Academy of American Poets and has been anthologized in Chorus: A Literary Mixtape (2012, MTV Books). A full list of his publications can be found at gentleslant.net

Thanks to Joshua for sharing with us here on Tattoosday's Tattooed Poets Project!

This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Kamis, 10 April 2014

The Tattooed Poets Project: Sophie Klahr

Our next tattooed poet is Sophie Klahr and, like our previous contributor, she has an inky connection to Ranier Maria Rilke.


The tattoo consists of four words appearing at the end of the following excerpt of Rilke's first elegy in the Duino Elegies. The words appear in context here: 

Who, if I cried out, would hear me among the angelic
orders? and even if one of them pressed me
suddenly to his heart: I'd be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we can just barely endure,
and we stand in awe of it as it coolly disdains
to destroy us. Every angel is terrifying.

Sophie states, "This tattoo appears in my handwriting, and was done by Alex Cetina in 2010, at the Gaslight Gallery in Houston, TX." Cetina now tattoos out of Old Crow Parlor.

She also sent us the following poem, which originally appeared in TYPO:

HOUDINI DOG

Houdini would hide copies of the same key all over his body
during any trick with a lock. You give me a copy of your apartment
key but Dog, we cannot both go home at once. We say home,
meaning half a dozen places, overlapping by one.
I should be more careful and copy your way of touching
just about everyone to make everyone feel a little special.
I should learn to be your type of thief.
Dog, there’s the problem of your moon-face, how despite
any onlookers, you’ll offer food your tongue has touched to me.
Tell me more about Houdini— I know he was your hero as a child,
when your mother was alive, when you believed in a magic
that required no one else. 


~ ~ ~

Sophie Klahr’s poetry, essays and reviews can be found in Ploughshares, Gulf Coast, The Rumpus, and Sycamore Review, among others. Her collaborative projects include creating scenic texts with the contemporary dance theatre influxdance. She is the poetry editor of Gigantic Sequins.

Thanks to Sophie for sending us her poem and tattoo for this year's Tattooed Poets Project on Tattoosday!

This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Minggu, 03 November 2013

Darcy Shares Some Words of Wisdom

This fall, I found myself in a new neighborhood during the days, down on Broad Street. One of the new people in my life, Darcy, is an employee of a local coffee and pastry shop. I noticed she had some ink on her inner wrists, and one day, after her shift, she let me take this photo:


Her wrists state "90% Work - 10% Talent."

Darcy explains:
"I had a teacher ... his recipe for success was that, if you work at anything, you can become good. It's your talent that will make you great. You can't rely on your talent alone - talent's only 10% of that equation."
She got this at a vegan tattoo shop in Portland, Oregon called Scapegoat Tattoo.

Thanks to Darcy for sharing these words of wisdom with us here on Tattoosday!

This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.